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home·artworks·Train on a High Bridge
Train on a High Bridge by Marjorie Acker Phillips

plate no. 6820

Train on a High Bridge

Marjorie Acker Phillips, 1946

oilImpressionismlandscapelandscapetraintreesbuildingskysmoke
some experience helpful

This painting provides practice in layering colors to create depth and capturing the essence of a scene with loose, expressive brushstrokes. Students will learn to simplify complex subjects into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, train, bridge, house, and major tree groupings.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the basic values of the landscape, using darker greens for the foreground and lighter greens for the background.

  4. step 04

    Paint the bridge with a warm brown tone, varying the color slightly to suggest form.

  5. step 05

    Add the train, focusing on its silhouette and the placement of the cars.

  6. step 06

    Develop the trees with layers of green, adding darker shadows and lighter highlights.

  7. step 07

    Paint the house with a light pink tone, adding details like the roof and door.

  8. step 08

    Add the smoke from the train using grays and browns, blending it into the sky.

color palette

primary · sap green · burnt umber · titanium white · cerulean blue

secondary · cadmium red · yellow ochre · raw sienna

Mix greens by combining blues and yellows with touches of brown. Achieve the pink of the house by mixing red and white. Use burnt umber and white for the smoke.

techniques

  • ·layering
  • ·blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and unnatural.
  • →Failing to establish a clear focal point.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits or turpentine (if using oils)

optional

  • ·easel
  • ·medium gloss
  • ·retarder medium

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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