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home·artworks·Towpath near Overschie
Towpath near Overschie by Johan Jongkind

plate no. 8217

Towpath near Overschie

Johan Jongkind, 1865

oilImpressionismlandscapecanaltreesskybuildingsfigurelandscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It's also a good exercise in capturing the mood of a landscape with limited color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes (sky, water, land).

  2. step 02

    Establish the overall value structure with a thin wash of a neutral color (e.g., burnt umber).

  3. step 03

    Block in the sky with light blues and grays, blending softly to create a sense of atmosphere.

  4. step 04

    Paint the water, capturing the reflections and highlights with horizontal brushstrokes.

  5. step 05

    Add the trees and buildings, simplifying their forms and using darker values to create contrast.

  6. step 06

    Introduce the figure on the towpath, keeping it simple and in proportion to the surroundings.

  7. step 07

    Refine the details, such as the ripples in the water and the texture of the trees.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and light.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · ivory black

Mix blues and whites for the sky, adding a touch of raw umber for the clouds. Use raw umber and burnt sienna for the land, adjusting the values with white and black. Mix greens from blue, yellow, and brown.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·simplified forms

common pitfalls

  • →Overworking the details
  • →Creating too much contrast
  • →Ignoring atmospheric perspective
  • →Using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·#6 round brush
  • ·#4 filbert brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel
  • ·odorless mineral spirits

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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