
plate no. 4428
Maurice Braun, 1930
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and the main shapes of the hills and trees.
Establish the sky with a thin wash of light blue and pink, blending the colors softly.
Block in the distant mountains with muted blues and browns, using lighter values for areas further away.
Apply a base layer of color to the foreground hill, using a mix of white, ochre, and a touch of red.
Add layers of texture and detail to the hill with short, broken brushstrokes, varying the colors and values to create depth.
Paint the trees and vegetation with a mix of greens, blues, and browns, using darker values in the shadows and lighter values in the highlights.
Refine the details and adjust the values to create a sense of atmosphere and depth.
Add final highlights and shadows to enhance the form and texture of the painting.
color palette
primary · titanium white · yellow ochre · ultramarine blue · burnt sienna
secondary · cadmium red light · viridian green · raw umber
Achieve the muted tones by mixing complementary colors (e.g., blue and orange) and adding white to soften the intensity. Use a limited palette to create harmony.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for texture. Consider using a toned canvas (e.g., light ochre) to create a warmer base.
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