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home·artworks·Tithe in Kind
Tithe in Kind by Edward Robert Hughes

plate no. 8486

Tithe in Kind

Edward Robert Hughes

oilRomanticismgenre paintingfigurelandscapetreesdoorwaybasketarchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in a landscape setting, as well as understanding atmospheric perspective and color harmony. Students will also learn to create texture and detail with brushwork.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, doorway, and landscape.

  2. step 02

    Establish the main color blocks for the figure's clothing, the doorway, and the background landscape.

  3. step 03

    Begin refining the figure's features and clothing details, paying attention to light and shadow.

  4. step 04

    Develop the background landscape, using lighter values and softer edges to create depth.

  5. step 05

    Add details to the doorway and the basket of fruit.

  6. step 06

    Refine the overall color harmony and adjust values as needed.

  7. step 07

    Add final details and highlights to create a sense of realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · titanium white · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium red · viridian green · ivory black

Mix various shades of brown and green for the landscape. Use white and small amounts of red and yellow to create skin tones. Mix black and umber for the corset.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to create a convincing sense of depth in the landscape.
  • →Using colors that are too saturated and unnatural.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·oil paints (titanium white, burnt umber, yellow ochre, ultramarine blue, cadmium red, viridian green, ivory black)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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