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home·artworks·Tintoretto Painting His Dead Daughter
Tintoretto Painting His Dead Daughter by Léon Cogniet

plate no. 1599

Tintoretto Painting His Dead Daughter

Léon Cogniet

oilRomanticismgenre paintingfigureartistdeathportraitinteriorbed
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabric, and creating a somber mood through limited color palettes and dramatic lighting. Students will also learn how to suggest details in shadow areas.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and areas of light and shadow using thin washes of color.

  3. step 03

    Begin developing the details of the figures, starting with the faces and hands.

  4. step 04

    Layer in the drapery and bedding, paying attention to the folds and textures.

  5. step 05

    Refine the lighting and shadows to create a sense of depth and drama.

  6. step 06

    Add details to the background and surrounding objects, keeping them subdued to maintain focus on the figures.

  7. step 07

    Glaze with thin layers of color to unify the painting and enhance the mood.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · raw sienna · alizarin crimson

secondary · titanium white · yellow ochre

Mix various shades of brown and gray by combining black, umber, and sienna. Use alizarin crimson to add warmth to the flesh tones and drapery. Lighten colors with titanium white for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Overworking the details in the shadow areas, losing the sense of mystery.
  • →Failing to establish a strong focal point, resulting in a confusing composition.
  • →Using too much color, undermining the somber mood.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·alizarin crimson oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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