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home·artworks·Time of the Old Women
Time of the Old Women by Francisco Goya

plate no. 3149

Time of the Old Women

Francisco Goya, 1820

oil, canvasRomanticismgenre paintingfigureswomendeathbroombooksatire
experienced study

Recreating this painting will help students develop skills in glazing, creating atmospheric perspective, and rendering complex drapery with subtle color variations. It also provides practice in depicting expressive figures and conveying a narrative through composition and symbolism.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with thin washes of muted colors, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figures, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering glazes to build up the skin tones, using subtle variations of reds, browns, and yellows.

  5. step 05

    Develop the drapery of the dresses, focusing on the folds and highlights.

  6. step 06

    Add details to the faces, emphasizing the expressive features and wrinkles.

  7. step 07

    Paint the broom and the book, paying attention to their textures and details.

  8. step 08

    Refine the overall composition and add final touches to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Achieve the muted, aged tones by mixing earth pigments with white and small amounts of blue or red. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next glaze.

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