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home·artworks·Time of the Devil
Time of the Devil by Nina Tokhtaman Valetova

plate no. 9657

Time of the Devil

Nina Tokhtaman Valetova, 2010

oil, canvas, cardboardMagic Realismsymbolic paintingfigureroostergoatgeometric shapessymbolicportrait
some experience helpful

Recreating this painting will help students develop skills in color blocking, geometric abstraction, and creating a symbolic narrative through visual elements. It also encourages experimentation with color temperature and value to create depth and mood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rooster, and goat.

  2. step 02

    Divide the background into geometric shapes, varying their sizes and angles.

  3. step 03

    Apply a base layer of warm colors (yellows, oranges, reds) to the background shapes.

  4. step 04

    Block in the main figures (man, rooster, goat) with their respective base colors (red, black, brown).

  5. step 05

    Add shadows and highlights to the figures and background shapes to create depth and dimension.

  6. step 06

    Refine the details of the figures, paying attention to facial features and textures.

  7. step 07

    Adjust the color balance and contrast to enhance the overall mood and impact.

  8. step 08

    Add final details and touch-ups to complete the painting.

color palette

primary · cadmium red · yellow ochre · burnt umber

secondary · black · cadmium yellow · raw sienna

Achieve the various shades of red by mixing cadmium red with small amounts of burnt umber or black. Create warmer yellows by mixing yellow ochre with cadmium yellow. Use white to create tints of the primary colors.

techniques

  • ·color blocking
  • ·geometric abstraction
  • ·layering
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overcomplicating the geometric shapes in the background.
  • →Losing the overall composition due to excessive detail.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·acrylic gesso
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·black oil paint
  • ·round brushes (sizes 2, 6, 10)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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