apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Through the Village
Through the Village by James Charles

plate no. 2327

Through the Village

James Charles

oilImpressionismgenre paintingvillagestreetfigurebuildingsalleycobblestones
some experience helpful

Recreating this painting will help students develop skills in creating depth through atmospheric perspective and rendering textures with visible brushstrokes. It also provides practice in capturing the effects of light and shadow on architectural forms.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the street and the placement of the figure.

  2. step 02

    Establish the main value ranges: light walls, shadowed areas, and the sky.

  3. step 03

    Block in the large shapes of the buildings and the figure with thin washes of color.

  4. step 04

    Begin building up texture on the walls and cobblestones using short, broken brushstrokes.

  5. step 05

    Develop the details of the figure, paying attention to the folds of the clothing and the form of the face.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and adjust the color balance to achieve the desired atmosphere.

  8. step 08

    Add final touches and details to the figure and the basket she is carrying.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue · sap green

Mix various shades of ochre and umber with white to create the different tones of the walls. Use small amounts of blue and green to create shadows and cooler tones.

techniques

  • ·broken color
  • ·dry brushing
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details too early.
  • →Creating flat, lifeless textures.
  • →Ignoring the effects of light and shadow.
  • →Not establishing a strong value structure.
  • →Getting the perspective wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-textured canvas to help create the broken color effect. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann