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home·artworks·Three Men with Two Dogs
Three Men with Two Dogs by Bartolomeo Passerotti

plate no. 0083

Three Men with Two Dogs

Bartolomeo Passerotti, 1550

canvas, oilMannerism (Late Renaissance)genre paintingfiguresdogswine glassmusical instrumentclothingportraits
experienced study

Recreating this painting will help students develop skills in portraiture, rendering realistic skin tones, and depicting animal anatomy. It also provides practice in creating a sense of depth through value and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and dogs.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes of the figures and dogs with mid-tone colors.

  4. step 04

    Begin layering in highlights and shadows to define the forms, paying attention to the light source.

  5. step 05

    Develop the details of the faces, clothing, and dog fur, using smaller brushes.

  6. step 06

    Mix and apply the subtle color variations in the skin tones, using glazing techniques.

  7. step 07

    Add the details of the wine glass and musical instrument.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of red. Use ultramarine blue to cool down shadows. The wine color can be achieved by mixing cadmium red light and burnt sienna.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·animal anatomy

common pitfalls

  • →Incorrect proportions of figures
  • →Overblending, losing form
  • →Getting skin tones too saturated
  • →Ignoring subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas to facilitate blending and glazing. Consider using a toned ground to establish a mid-tone value.

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