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home·artworks·Three ladies of the Moscon family
Three ladies of the Moscon family by Giuseppe Tominz

plate no. 9322

Three ladies of the Moscon family

Giuseppe Tominz, 1829

oil, canvasRomanticismportraitportraitswomeninteriortabletea setlandscape
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics and textures. It will also improve their understanding of composition and color mixing for realistic skin tones and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and objects.

  2. step 02

    Establish the background landscape with broad strokes, paying attention to atmospheric perspective.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, using a limited palette.

  4. step 04

    Refine the facial features and details, focusing on accurate proportions and subtle variations in value.

  5. step 05

    Add details to the clothing, jewelry, and tea set, paying attention to textures and reflections.

  6. step 06

    Develop the background details, including the architecture and foliage.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · ivory black · cadmium red · yellow ochre · titanium white

secondary · ultramarine blue · viridian · burnt umber

Mix skin tones using white, yellow ochre, cadmium red, and a touch of blue or umber for shadows. Achieve fabric colors by mixing primary colors with white or umber to adjust the value and saturation.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·rendering fabrics
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate proportions of the figures.
  • →Overworking the details too early in the process.
  • →Flat or lifeless skin tones.
  • →Neglecting the background and its impact on the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ivory black, cadmium red, yellow ochre, titanium white, ultramarine blue, viridian, burnt umber)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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