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home·artworks·Three Foolish Virgins Flanked by Adam and Eve
Three Foolish Virgins Flanked by Adam and Eve by Parmigianino

plate no. 1827

Three Foolish Virgins Flanked by Adam and Eve

Parmigianino, 1539

frescoMannerism (Late Renaissance)allegorical paintingfiguresarchitectureornamentsallegoryfloralsculpture
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering drapery, and creating the illusion of depth through value and color. It also provides practice in depicting complex ornamentation and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the figures, paying close attention to anatomy and drapery folds.

  4. step 04

    Add the architectural details and ornamentation, focusing on accurate proportions and perspective.

  5. step 05

    Introduce highlights and shadows to create depth and dimension.

  6. step 06

    Refine the colors and values, gradually building up the layers of paint.

  7. step 07

    Add final details and highlights to enhance the realism and visual impact.

  8. step 08

    Glaze with thin washes of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve the warm, golden tones by mixing burnt umber, raw sienna, and yellow ochre. Use small amounts of cadmium red and ultramarine blue to create subtle variations in color temperature.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·figure drawing
  • ·rendering drapery

common pitfalls

  • →Getting lost in the details too early
  • →Incorrect proportions of figures and architectural elements
  • →Overworking the painting and losing the freshness of the initial sketch
  • →Failing to create a convincing illusion of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A toned canvas can help to establish the overall color scheme.

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