apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Three Figures
Three Figures by Carlos Orozco Romero

plate no. 6792

Three Figures

Carlos Orozco Romero

oilMagic Realismlandscapemountainsfigureslandscapeskywater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create depth. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and figures, focusing on composition.

  2. step 02

    Establish the horizon line and the overall tonal range from light sky to dark foreground.

  3. step 03

    Block in the sky with a gradient of light blue to white.

  4. step 04

    Paint the distant mountains with lighter, cooler blues to create atmospheric perspective.

  5. step 05

    Gradually darken and warm the blues as you move towards the foreground mountains.

  6. step 06

    Add subtle highlights and shadows to define the forms of the mountains.

  7. step 07

    Paint the figures with light, cool grays, adding subtle shadows to suggest form.

  8. step 08

    Refine details and blend edges for a smooth, dreamlike quality.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix blues with white to create varying values for the sky and mountains. Use raw umber to darken the blues and add warmth to the foreground. A touch of yellow ochre can be added to the highlights on the foreground mountain.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·value gradation
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall simplicity.
  • →Creating harsh lines instead of smooth transitions.
  • →Not achieving enough contrast between the foreground and background.
  • →Using too much pure white, resulting in a chalky appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Birth of the Earth

Birth of the Earth

Nina Tokhtaman Valetova

Soundscape

Soundscape

Abdul Mati Klarwein

Le poisson choa

Le poisson choa

Nicolae Maniu

Hidden Pasture

Hidden Pasture

Eyvind Earle

Pacific

Pacific

Alex Colville

Poet With Flower

Poet With Flower

Stefan Caltia

Canzone

Canzone

Antonio Donghi

Sphinx

Sphinx

Nicolae Maniu