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home·artworks·Three Egyptian Women
Three Egyptian Women by Konstantinos Maleas

plate no. 6687

Three Egyptian Women

Konstantinos Maleas, 1911

oilImpressionismlandscapefigureslandscapedesertmountainsskyshadows
some experience helpful

This painting provides an opportunity to practice layering colors with visible brushstrokes to create texture and depth. Students can also learn about color temperature and how to use cool and warm colors to create a sense of light and shadow.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large shapes of the landscape with thin washes of color, establishing the overall value structure.

  3. step 03

    Begin layering thicker paint, using visible brushstrokes to create texture and form.

  4. step 04

    Focus on capturing the light and shadow patterns, paying attention to the cool shadows and warm highlights.

  5. step 05

    Develop the figures, using a limited palette to create a sense of unity.

  6. step 06

    Add details to the landscape, such as the texture of the mountains and the patterns of the shadows.

  7. step 07

    Refine the edges and shapes, paying attention to the overall balance and harmony of the painting.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · burnt sienna · raw umber

Mix ultramarine blue and burnt sienna to create the cool shadows. Use yellow ochre and titanium white for the warm highlights. Add small amounts of raw umber to darken the shadows.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·layering
  • ·color temperature

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much detail and losing the overall sense of unity.
  • →Failing to capture the light and shadow patterns accurately.
  • →Not mixing colors properly and creating muddy tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to create a textured surface. Thin the oil paints with linseed oil to improve the flow and blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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