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home·artworks·Thoughts of the Past
Thoughts of the Past by John Roddam Spencer Stanhope

plate no. 1886

Thoughts of the Past

John Roddam Spencer Stanhope

oilRomanticismcityscapefigurewindowcityscapeboatsriverinterior
experienced study

Recreating this painting will help students develop skills in portraiture, rendering complex scenes through a window, and creating a sense of depth using atmospheric perspective. It also provides practice in capturing subtle emotional expressions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the window, and the table.

  2. step 02

    Establish the overall composition and perspective of the cityscape seen through the window.

  3. step 03

    Block in the main colors of the background, focusing on the atmospheric perspective and the tones of the sky and water.

  4. step 04

    Start defining the figure's form with dark and light values, paying attention to the drapery folds.

  5. step 05

    Develop the details of the face, focusing on capturing the expression and subtle shading.

  6. step 06

    Add details to the still life elements on the table, such as the jewelry and trinkets.

  7. step 07

    Refine the details of the window frame, the curtains, and the plants.

  8. step 08

    Add final highlights and shadows to create depth and dimension throughout the painting.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · yellow ochre · Prussian blue · raw sienna

Achieve the muted tones of the cityscape by mixing blues, browns, and whites. The figure's skin tone is created by blending reds, yellows, and whites. Dark areas are achieved by mixing ivory black and burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·portraiture
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to capture the subtle emotional expression of the figure.
  • →Overworking the details in the cityscape, losing the atmospheric perspective.
  • →Using colors that are too bright or saturated, disrupting the overall muted tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium alkyd

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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