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home·artworks·Thomas Taylor, JP, of Wigan
Thomas Taylor, JP, of Wigan by James Archer

plate no. 7916

Thomas Taylor, JP, of Wigan

James Archer

oilRomanticismportraitportraitfiguremanclothingchairbeard
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as practice with subtle color blending to create realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with a thin layer of dark brown paint.

  3. step 03

    Block in the main areas of color: skin tones, clothing, and chair.

  4. step 04

    Begin layering and blending colors to create depth and form in the face and hands.

  5. step 05

    Add details to the clothing, such as the collar, tie, and buttons.

  6. step 06

    Refine the highlights and shadows to enhance the three-dimensionality of the figure.

  7. step 07

    Add details to the hair and beard, paying attention to the direction of the strands.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix skin tones by blending white, yellow ochre, and a touch of red. Use raw umber and ivory black for dark areas, and add white for highlights. Create the chair color by mixing burnt sienna with a touch of black and red.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas with a thin layer of burnt umber can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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