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home·artworks·Thomas Sergeant Perry Reading a Newspaper
Thomas Sergeant Perry Reading a Newspaper by Lilla Cabot Perry

plate no. 9409

Thomas Sergeant Perry Reading a Newspaper

Lilla Cabot Perry, 1924

oilImpressionismportraitfigureportraitnewspaperchairinteriorreading
some experience helpful

Recreating this painting will help students develop skills in color mixing, particularly achieving subtle skin tones and rendering fabric textures with visible brushstrokes. It also provides practice in capturing a likeness and conveying a sense of atmosphere through light and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and newspaper.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color with thin washes.

  3. step 03

    Begin building up the skin tones, using a variety of subtle color mixtures and short brushstrokes.

  4. step 04

    Work on the details of the chair, paying attention to the pattern and texture of the fabric.

  5. step 05

    Render the newspaper, focusing on the highlights and shadows to create a sense of form.

  6. step 06

    Refine the details of the face, adding subtle highlights and shadows to capture the likeness.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · ivory black · cadmium yellow light · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and white for the cool tones in the chair and clothing. Mix black with blue and white for the grays.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting the importance of value contrast.
  • →Focusing too much on detail too early in the process.
  • →Ignoring the overall color harmony of the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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