
plate no. 9409
Lilla Cabot Perry, 1924
Recreating this painting will help students develop skills in color mixing, particularly achieving subtle skin tones and rendering fabric textures with visible brushstrokes. It also provides practice in capturing a likeness and conveying a sense of atmosphere through light and color.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, chair, and newspaper.
Establish the overall color scheme by blocking in the main areas of color with thin washes.
Begin building up the skin tones, using a variety of subtle color mixtures and short brushstrokes.
Work on the details of the chair, paying attention to the pattern and texture of the fabric.
Render the newspaper, focusing on the highlights and shadows to create a sense of form.
Refine the details of the face, adding subtle highlights and shadows to capture the likeness.
Adjust the overall color balance and value contrast to create a harmonious composition.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · ultramarine blue · yellow ochre · burnt sienna
secondary · ivory black · cadmium yellow light · alizarin crimson
Achieve skin tones by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Use ultramarine blue and white for the cool tones in the chair and clothing. Mix black with blue and white for the grays.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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