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home·artworks·Thomas Jefferson Writing the Declaration of Independence
Thomas Jefferson Writing the Declaration of Independence by Howard Pyle

plate no. 3195

Thomas Jefferson Writing the Declaration of Independence

Howard Pyle, 1898

oilRomanticismillustrationfigureinteriordeskpaperswindowclock
experienced study

Recreating this painting will help students understand how to depict dramatic lighting and create a sense of atmosphere using a limited color palette. It also provides practice in rendering realistic figures and objects in a dimly lit environment.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, desk, window, and clock.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying close attention to the areas of light and shadow.

  3. step 03

    Block in the main colors of the background, figure, and desk, using a limited palette of earth tones and reds.

  4. step 04

    Refine the details of the figure's face and clothing, paying attention to the subtle variations in color and value.

  5. step 05

    Add highlights to the areas of direct light, such as the paper and the figure's face.

  6. step 06

    Develop the details of the desk and the papers, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Paint the window and the distant buildings, using a muted palette to suggest atmospheric perspective.

  8. step 08

    Add final details and adjust the overall color balance to create a cohesive and atmospheric painting.

color palette

primary · burnt umber · raw sienna · cadmium red

secondary · ivory black · yellow ochre

Achieve the warm, reddish tones by mixing cadmium red with burnt umber. Use yellow ochre to create highlights and lighter areas. Mix ivory black with burnt umber to create deep shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·limited palette
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Ignoring the subtle variations in color and value within the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel

Use a high-quality canvas and artist-grade oil paints for best results. Allow each layer of paint to dry before applying the next.

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