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home·artworks·Thomas Glen, Esq.
Thomas Glen, Esq. by John Pettie

plate no. 5861

Thomas Glen, Esq.

John Pettie

oilRomanticismportraitportraitfiguremanclothingformal wearhair
some experience helpful

Recreating this portrait will help students develop skills in portrait proportions, value studies, and subtle color mixing to achieve realistic skin tones. It also provides practice in rendering textures like hair and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on the proportions of the head and body.

  2. step 02

    Establish the background with a thin wash of dark brown.

  3. step 03

    Block in the main shapes of the face, hair, and clothing with basic values.

  4. step 04

    Begin layering and blending colors to create the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture.

  6. step 06

    Refine the clothing, focusing on the folds and highlights in the fabric.

  7. step 07

    Add the final details, such as the eyes, nose, and mouth.

  8. step 08

    Adjust values and colors as needed to create a cohesive and realistic portrait.

color palette

primary · ivory black · burnt umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue to cool down shadows. Achieve the dark blacks by mixing ivory black and burnt umber.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Using too much black, making the painting look muddy.
  • →Ignoring subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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