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home·artworks·Thomas Erskine, 1st Baron Erskine
Thomas Erskine, 1st Baron Erskine by Charles Turner

plate no. 7891

Thomas Erskine, 1st Baron Erskine

Charles Turner, 1806

oilRomanticismportraitportraitfiguremanclothinghistoricalneutral background
some experience helpful

Recreating this portrait will help students develop skills in tonal value painting and capturing likeness through careful observation of light and shadow. Students will also practice blending and creating soft transitions.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic proportions and pose of the figure.

  2. step 02

    Establish the darkest values in the clothing and background.

  3. step 03

    Begin layering in mid-tones, focusing on the planes of the face and the folds of the clothing.

  4. step 04

    Carefully blend the transitions between light and shadow to create a smooth, realistic effect.

  5. step 05

    Add highlights to the face, hair, and clothing to create depth and dimension.

  6. step 06

    Refine the details of the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Adjust the overall values and contrast to achieve a balanced and harmonious composition.

  8. step 08

    Add final details such as the ruffled collar and buttons.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Achieve the various shades of gray and brown by mixing ivory black, raw umber, and titanium white in different proportions. Add small amounts of yellow ochre or burnt umber for subtle warmth.

techniques

  • ·tonal value painting
  • ·blending
  • ·chiaroscuro
  • ·portraiture
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong foundation of values.
  • →Creating harsh transitions between light and shadow.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas to facilitate blending. Consider using a toned canvas to establish a mid-tone base.

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oil painting for beginners →how to learn by studying the masters →
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