There is a time to fight, and that time has now come by Howard Pyle

plate no. 7623

There is a time to fight, and that time has now come

Howard Pyle, 1902

oilRomanticismillustrationfigurepodiumcrowdhistoricalindoorsclothing

study guide

est. 15 hrs

approach — 8 steps

step 01
Sketch the basic composition, focusing on the placement of the figure and the podium.
step 02
Block in the main shapes and values using a limited palette of earth tones and white.
step 03
Refine the figure of Washington, paying attention to the details of his clothing and facial features.
step 04
Add the figures in the crowd, focusing on their gestures and expressions.
step 05
Develop the details of the podium and the surrounding architecture.
step 06
Adjust the values and colors to create a sense of depth and atmosphere.
step 07
Add highlights and shadows to enhance the form of the figures and objects.
step 08
Add final details and refine the edges.

color palette

primary · ivory black · raw umber · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of gray and brown by combining black, umber, and white. Use small amounts of red and yellow to add warmth to the skin tones and clothing.

techniques

·grisaille underpainting
·glazing
·scumbling
·chiaroscuro

common pitfalls

→Overworking the details too early in the process.
→Creating muddy colors by overmixing.
→Failing to establish a strong value structure.
→Ignoring the importance of edges.

materials

surface · stretched canvas

required

·stretched canvas 18x24
·ivory black oil paint
·raw umber oil paint
·titanium white oil paint
·cadmium red light oil paint
·yellow ochre oil paint
·#4 round brush
·#8 flat brush

optional

·palette knife
·linseed oil
·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned ground to speed up the painting process.

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