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home·artworks·Theatre du Chatelet
Theatre du Chatelet by Antoine Blanchard

plate no. 0928

Theatre du Chatelet

Antoine Blanchard

oilImpressionismcityscapecityscapestreetbuildingstreesfiguresvehicles
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using broken color to create the illusion of light and movement. It also provides practice in simplifying complex scenes into impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: buildings, trams, trees, and the general street layout.

  2. step 02

    Block in the sky and ground with broad washes of color, establishing the overall value range.

  3. step 03

    Establish the main building masses, focusing on the warm light emanating from within.

  4. step 04

    Add the trams, using simplified shapes and colors, paying attention to reflections on the wet street.

  5. step 05

    Introduce the trees with thin, gestural strokes, suggesting branches and foliage.

  6. step 06

    Add figures using quick, suggestive brushstrokes, focusing on their silhouettes and movement.

  7. step 07

    Refine the reflections on the street, using horizontal strokes and varying the color and value.

  8. step 08

    Add final details and highlights to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt sienna · titanium white · cadmium yellow

secondary · viridian green · alizarin crimson

Mix various shades of gray and blue for the sky and wet street. Use burnt sienna and cadmium yellow to create warm light for the buildings and trams. Mix greens with blue and yellow, and soften with white.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the atmospheric perspective, resulting in a flat image.
  • →Making the figures too detailed and distracting from the overall scene.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette of colors to simplify the mixing process. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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