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home·artworks·The Zeppelin
The Zeppelin by Carel Willink

plate no. 4754

The Zeppelin

Carel Willink, 1933

oilMagic Realismgenre paintingbuildingsfigureszeppelinskypuddlesstreet
some experience helpful

Recreating this painting will help students develop skills in perspective, atmospheric perspective, and rendering reflections. It also offers practice in painting figures in a realistic style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the buildings and the placement of the figures.

  2. step 02

    Block in the main shapes and colors of the buildings, sky, and ground, establishing the overall value structure.

  3. step 03

    Refine the details of the buildings, including windows, architectural elements, and subtle color variations.

  4. step 04

    Paint the figures, paying attention to their proportions, clothing folds, and the way light falls on them.

  5. step 05

    Add the zeppelin, carefully rendering its shape, texture, and highlights.

  6. step 06

    Create the reflections in the puddles, mirroring the buildings and figures with appropriate distortion and value changes.

  7. step 07

    Refine the details and add final touches, such as highlights and shadows, to enhance the realism of the painting.

  8. step 08

    Glaze to unify the painting and adjust values.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · payne's gray · cadmium yellow light · ivory black

Achieve the muted tones by mixing raw umber and titanium white. Add small amounts of Payne's gray for shadows and yellow ochre for warmer highlights.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·rendering reflections
  • ·glazing
  • ·scumbling

common pitfalls

  • →Incorrect perspective can ruin the realism of the buildings.
  • →Overly bright or saturated colors will detract from the painting's muted atmosphere.
  • →Inaccurate reflections will make the puddles look unnatural.
  • →Neglecting subtle value changes will result in a flat, lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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