
plate no. 4300
Cuno Amiet, 1931
Recreating this painting will help students develop skills in color mixing, particularly achieving subtle skin tones, and in creating texture through repetitive brushstrokes. It also provides practice in simplified figure drawing and composition.
technical profile
approach — 8 steps
Sketch the basic outlines of the figures and the overall composition on the canvas.
Block in the background with a base layer of blue, leaving space for the yellow flowers.
Apply the yellow flower shapes using small, repetitive brushstrokes.
Mix the skin tones using yellow, white, and small amounts of red and blue.
Apply the base skin tone to the figures, paying attention to the light and shadow areas.
Add details to the faces, including the eyes, lips, and hair.
Refine the shapes and values of the figures and the background.
Add final highlights and shadows to create depth and dimension.
color palette
primary · yellow ochre · titanium white · cerulean blue
secondary · cadmium red light · burnt sienna · black
Achieve the skin tones by mixing yellow ochre and titanium white, adding small amounts of red and blue for warmth and coolness. The background blue is a mix of cerulean blue and white. The yellow flowers are mostly yellow ochre with some cadmium red light.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-textured canvas to help create a broken color effect. Consider using a limited palette to simplify the color mixing process.
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