
plate no. 6450
Currier and Ives, 1872
Recreating this painting will help students develop skills in portraiture, including rendering skin tones and clothing, and understanding the use of light and shadow to create form. It also provides practice in depicting textures, like hair and fabric.
technical profile
approach — 8 steps
Begin with a light sketch of the overall composition, focusing on the placement and proportions of the figures.
Block in the main shapes and colors of the background and figures, using thin washes of paint.
Start building up the skin tones, using a limited palette of white, pink, and a touch of brown.
Define the clothing, paying attention to the folds and shadows.
Add details to the hair, using small brushstrokes to create texture and volume.
Paint the violins, focusing on the details of the wood and strings.
Refine the facial features, paying attention to the expressions of the figures.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · cadmium red · ultramarine blue · raw umber
secondary · yellow ochre · ivory black
Mix white with small amounts of red and umber to create the pale skin tones. Use blue and red to create the dresses. Mix umber and black for the darker clothing elements.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a smooth canvas for best results. Consider using a toned canvas to help establish the overall color palette.
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