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home·artworks·The Wizard
The Wizard by Edward Burne-Jones

plate no. 0324

The Wizard

Edward Burne-Jones

oilRomanticismgenre paintingfiguresrobesinteriorarchitecturecandlefurniture
experienced study

Recreating this painting will help students develop skills in rendering drapery folds, creating atmospheric perspective, and mixing subtle color variations in a limited palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in the darker values, focusing on the folds and shadows in the robes and drapery.

  4. step 04

    Gradually build up the mid-tones and highlights, paying attention to the subtle color variations.

  5. step 05

    Refine the details of the faces and hands, using small brushes and careful blending.

  6. step 06

    Add the details of the background, including the architectural elements and furniture.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · burnt umber · ivory black · titanium white · raw sienna

secondary · cadmium red · viridian green · ultramarine blue

Achieve the dark, rich tones by mixing burnt umber and ivory black. Use small amounts of cadmium red and ultramarine blue to create subtle variations in the shadows. Mix raw sienna and titanium white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering drapery
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the subtle tonal variations.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw sienna oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer underpainting.

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