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home·artworks·The Witches Convention
The Witches Convention by William Holbrook Beard

plate no. 8918

The Witches Convention

William Holbrook Beard, 1876

oilRomanticismanimal paintingwitchesfigureslandscapecauldronanimalssky
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective to create depth. It also provides practice in rendering textures of various materials like rocks, clothing, and fur.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements like the rock pile and cauldron.

  2. step 02

    Establish the horizon line and the overall tonal values of the sky and ground.

  3. step 03

    Block in the main shapes of the figures, paying attention to their proportions and gestures.

  4. step 04

    Begin adding details to the figures, starting with the faces and clothing.

  5. step 05

    Develop the textures of the rocks, wood, and other materials using layering and dry brushing techniques.

  6. step 06

    Refine the details of the animals, paying attention to their anatomy and fur texture.

  7. step 07

    Adjust the values and colors to create atmospheric perspective, making distant objects lighter and less detailed.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of depth.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use glazes of burnt sienna and raw umber to create depth and warmth in the shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Getting lost in the details of individual figures and neglecting the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium alkyd

Use a medium-tooth canvas for better texture. Consider using a toned canvas to speed up the underpainting process.

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