apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Wife of Pygmalion
The Wife of Pygmalion by George Frederick Watts

plate no. 2449

The Wife of Pygmalion

George Frederick Watts, 1868

oilRomanticismportraitfigureportraitflowersdraperywomanclassical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and light effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and flowers.

  2. step 02

    Establish the overall warm background color using a thin wash.

  3. step 03

    Block in the main areas of light and shadow on the face, neck, and drapery.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle transitions in value.

  5. step 05

    Develop the drapery folds, using highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the flowers, capturing their delicate forms and textures.

  7. step 07

    Refine the background, adding subtle variations in color and tone.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · cadmium red light

secondary · yellow ochre · ivory black

Mix skin tones by blending white, umber, and a touch of red. Use yellow ochre to warm the skin tones and black to create shadows. Achieve the background color by mixing burnt umber with a touch of red and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Neglecting the background, which should complement the figure.
  • →Getting the proportions wrong in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke