
plate no. 2449
George Frederick Watts, 1868
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and light effects.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and flowers.
Establish the overall warm background color using a thin wash.
Block in the main areas of light and shadow on the face, neck, and drapery.
Begin refining the facial features, paying close attention to the subtle transitions in value.
Develop the drapery folds, using highlights and shadows to create a sense of volume.
Add details to the flowers, capturing their delicate forms and textures.
Refine the background, adding subtle variations in color and tone.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · burnt umber · cadmium red light
secondary · yellow ochre · ivory black
Mix skin tones by blending white, umber, and a touch of red. Use yellow ochre to warm the skin tones and black to create shadows. Achieve the background color by mixing burnt umber with a touch of red and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke