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The Widow by Frederick George Cotman

plate no. 3796

The Widow

Frederick George Cotman, 1880

oilRomanticismportraitfigureportraitwomanclothingwallsadness
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing emotion and rendering realistic skin tones, as well as understanding how to create depth and form using light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Establish the background brick wall with a warm, textured underpainting.

  3. step 03

    Block in the main shapes of the figure, including the cloak, dress, and head covering.

  4. step 04

    Start developing the values and tones in the face, paying attention to the subtle shifts in light and shadow.

  5. step 05

    Refine the details of the clothing, capturing the folds and textures of the fabric.

  6. step 06

    Add the blue ribbon and other small details.

  7. step 07

    Adjust the overall values and color temperature to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · ultramarine blue · yellow ochre · titanium white

Mix various shades of brown and gray by combining raw umber, burnt sienna, and ivory black. Use ultramarine blue and white to create the blue ribbon. Mix yellow ochre with white to create the highlights on the dress.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Not capturing the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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