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home·artworks·The White Squall
The White Squall by Albert Julius Olsson

plate no. 4870

The White Squall

Albert Julius Olsson, 1903

oilImpressionismmarinaoceanwavescloudsskystormseascape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the movement and texture of water with loose brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and basic shapes of the clouds and waves.

  2. step 02

    Establish the overall color scheme with thin washes of color, focusing on the sky and the general tone of the water.

  3. step 03

    Build up the cloud forms with layers of white, gray, and touches of blue and pink, paying attention to the light and shadow.

  4. step 04

    Define the wave structure with darker blues and greens in the troughs and lighter blues and whites on the crests.

  5. step 05

    Add highlights to the waves with thick, broken brushstrokes to simulate the sparkle of sunlight.

  6. step 06

    Soften edges and blend colors where needed to create a sense of atmosphere.

  7. step 07

    Add final details such as small birds or distant ships to enhance the sense of scale and depth.

  8. step 08

    Glaze with thin layers to adjust colors and values as needed.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · payne's gray · yellow ochre · alizarin crimson

Mix blues and whites for the sky and water. Use raw umber and white for the darker clouds. Add alizarin crimson to white for subtle pink hues in the clouds.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating too much contrast too early in the process.
  • →Failing to accurately represent the perspective of the waves.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-sized canvas to allow for sufficient detail. Consider using a toned canvas to help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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