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home·artworks·The Watering Pots
The Watering Pots by Theodore Robinson

plate no. 5438

The Watering Pots

Theodore Robinson, 1890

oilImpressionismgenre paintingfiguregardenwatering cansfoliagepathhat
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow using broken color techniques, and in simplifying complex forms into impressionistic brushstrokes. It's also a good exercise in painting figures in an outdoor setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figure, watering cans, and background elements.

  2. step 02

    Establish the overall color scheme by blocking in the large areas of color, focusing on the light and shadow patterns.

  3. step 03

    Begin to refine the figure's features, paying attention to the subtle shifts in color and value.

  4. step 04

    Develop the background foliage using short, broken brushstrokes to create a sense of depth and texture.

  5. step 05

    Add details to the watering cans, capturing their metallic sheen and form.

  6. step 06

    Refine the light and shadow on the ground and the wall, using a variety of brushstrokes to create visual interest.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · yellow ochre · titanium white · raw umber

secondary · cadmium yellow light · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue. Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Use raw umber to create shadows and darker tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the subtle shifts in light and shadow.
  • →Ignoring the importance of color temperature in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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