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home·artworks·The Waterfalls, Pistil Mawddach, North Wales 1836
The Waterfalls, Pistil Mawddach, North Wales  1836 by Samuel Palmer

plate no. 5565

The Waterfalls, Pistil Mawddach, North Wales 1836

Samuel Palmer

oilRomanticismlandscapewaterfalltreesrocksfigureslandscapewater
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering the texture of foliage and rocks.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, trees, and figures.

  2. step 02

    Establish the sky and distant mountain with thin washes of color.

  3. step 03

    Block in the large shapes of the trees and rocks, using darker values for shadows.

  4. step 04

    Begin layering colors to build up the texture of the foliage and rocks.

  5. step 05

    Add details to the waterfall, using light, broken brushstrokes to suggest movement.

  6. step 06

    Paint the figures in the foreground, paying attention to their proportions and placement.

  7. step 07

    Refine the details and add highlights to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · burnt umber · raw sienna · titanium white · ultramarine blue

secondary · yellow ochre · sap green · cadmium yellow light · ivory black

Mix greens by blending yellow ochre and ultramarine blue. Create various shades of brown by mixing burnt umber with small amounts of blue, yellow, or white. Use white to lighten colors for highlights and atmospheric perspective.

techniques

  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·layering
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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