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home·artworks·The Waterfall, Shore's Mill, Tennessee
The Waterfall, Shore's Mill, Tennessee by Ernest Lawson

plate no. 7500

The Waterfall, Shore's Mill, Tennessee

Ernest Lawson, 1910

oil, canvasImpressionismlandscapewaterfallrivertreeslandscapefoliagesky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to represent light and movement in nature. It will also improve their understanding of atmospheric perspective and composition.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the waterfall, river, and surrounding foliage.

  2. step 02

    Establish the sky with a thin wash of muted blues and grays.

  3. step 03

    Block in the general shapes of the waterfall with white and light blues, focusing on the overall form rather than details.

  4. step 04

    Add darker values to the rocks and shadows around the waterfall using blues, greens, and browns.

  5. step 05

    Paint the river with horizontal strokes of greens, blues, and grays, suggesting the flow of water.

  6. step 06

    Develop the foliage with short, broken brushstrokes of various greens, browns, and yellows.

  7. step 07

    Add details to the trees and branches, using thin lines and small dabs of color.

  8. step 08

    Refine the highlights and shadows throughout the painting to create depth and dimension.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · burnt umber · sap green · cadmium orange

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the gray sky by mixing white, blue, and a small amount of orange.

techniques

  • ·broken color
  • ·impasto
  • ·wet-on-wet blending
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing them.
  • →Creating muddy colors by over-blending.
  • →Ignoring the overall light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·sap green oil paint
  • ·cadmium orange oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-texture canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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