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home·artworks·The Waiting Room
The Waiting Room by George Tooker

plate no. 7486

The Waiting Room

George Tooker, 1959

temperaMagic Realismgenre paintingfigureswaiting roomcoatscubiclesinterioranxiety
experienced study

Recreating this painting would develop skills in rendering realistic figures with subtle shading and understanding atmospheric perspective in an interior space. It also encourages careful observation of color relationships and creating a sense of depth through value changes.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a detailed line drawing of the composition, paying attention to proportions and perspective.

  2. step 02

    Block in the main shapes and colors with thin washes of tempera, establishing the overall value structure.

  3. step 03

    Begin layering colors, gradually building up the form and details of the figures and cubicles.

  4. step 04

    Focus on creating smooth transitions between values to achieve a realistic effect.

  5. step 05

    Pay close attention to the subtle color variations in the skin tones and clothing.

  6. step 06

    Add details such as facial features, clothing folds, and the numbers on the cubicles.

  7. step 07

    Refine the edges and details to create a sense of depth and realism.

  8. step 08

    Apply a final layer of varnish to protect the painting and enhance the colors.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · cadmium red light · yellow ochre · burnt sienna

Achieve the cool blues of the cubicles by mixing ultramarine blue with white and a touch of raw umber. Create skin tones by blending white, yellow ochre, and a small amount of cadmium red light. Use burnt sienna and raw umber for the browns of the coats and clothing.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the surface and losing the freshness of the colors.
  • →Failing to create smooth transitions between values, resulting in a choppy effect.
  • →Ignoring the subtle color variations in the skin tones and clothing.
  • →Neglecting the details, which are essential for creating a sense of realism.

materials

surface · gessoed panel

required

  • ·gessoed panel
  • ·tempera paints
  • ·small round brushes
  • ·palette
  • ·water
  • ·soft cloth
  • ·tracing paper
  • ·graphite pencil

optional

  • ·retouch varnish
  • ·palette knife
  • ·easel

Use high-quality tempera paints for best results. A smooth gessoed panel will provide a good surface for layering the tempera.

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