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home·artworks·The Visit of a Sick Child to the Temple of Aesculapius
The Visit of a Sick Child to the Temple of Aesculapius by John William Waterhouse

plate no. 3673

The Visit of a Sick Child to the Temple of Aesculapius

John William Waterhouse, 1877

oil, canvasRomanticismmythological paintingfigurestemplearchitecturedraperyritualinterior
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and architectural details, as well as understanding atmospheric perspective and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to proportions and perspective.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the figures, starting with the faces and hands.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights.

  5. step 05

    Add details to the architectural elements, such as the columns and floor.

  6. step 06

    Work on the smaller details like the objects on the table and the decorations.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use raw umber and black to create shadows and depth in the drapery and architecture. Mix blue and white for the cooler tones in the background.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·chiaroscuro
  • ·rendering

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Lack of attention to detail in drapery folds
  • →Inaccurate perspective in the architectural elements

materials

surface · stretched canvas

required

  • ·Stretched canvas (24x36 inches)
  • ·Oil paints (raw umber, titanium white, yellow ochre, cadmium red, ultramarine blue, ivory black)
  • ·Linseed oil
  • ·Turpentine
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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