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home·artworks·The Vision
The Vision by Evelyn De Morgan

plate no. 3829

The Vision

Evelyn De Morgan, 1914

oilRomanticismsymbolic paintingfigureslandscapeseaskycloudsmythological creature
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of facial features, as well as blending techniques for creating atmospheric effects in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and landscape elements.

  2. step 02

    Establish the background sky and sea with broad washes of color, blending the hues to create a sense of depth and atmosphere.

  3. step 03

    Block in the main shapes of the figures, focusing on accurate proportions and anatomical details.

  4. step 04

    Begin layering in the skin tones, using subtle variations in color and value to create a sense of form and volume.

  5. step 05

    Add details to the clothing and accessories, paying attention to the folds and textures.

  6. step 06

    Render the hair with careful attention to the highlights and shadows, creating a sense of movement and flow.

  7. step 07

    Paint the details of the landscape, including the rocks, waves, and distant horizon.

  8. step 08

    Refine the overall composition, adjusting the colors and values as needed to create a harmonious and unified image.

color palette

primary · titanium white · ultramarine blue · cadmium red · yellow ochre

secondary · alizarin crimson · viridian green · raw umber

Mix skin tones by blending white, yellow ochre, and a touch of red. Use ultramarine blue and alizarin crimson to create purples for the sky and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·color layering
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate proportions in the figures.
  • →Muddy or overworked skin tones.
  • →Flat or lifeless background.
  • →Lack of attention to detail in the clothing and accessories.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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