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home·artworks·The Virgin and Child with Two Angels
The Virgin and Child with Two Angels by Piero di Cosimo

plate no. 5885

The Virgin and Child with Two Angels

Piero di Cosimo

oilHigh Renaissancereligious paintingfiguresangelsskylandscapereligiouschild
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and blending techniques to create smooth transitions and realistic skin tones. It also provides practice in rendering drapery and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and their positions.

  2. step 02

    Block in the basic shapes and colors of the background, starting with the sky and landscape.

  3. step 03

    Begin painting the figures, starting with the underpainting of the skin tones and drapery.

  4. step 04

    Carefully blend the skin tones to create smooth transitions and realistic shadows.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth.

  6. step 06

    Refine the drapery, paying attention to the folds and shadows.

  7. step 07

    Paint the details of the musical instrument and other accessories.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · alizarin crimson · yellow ochre · titanium white

secondary · viridian green · burnt umber

Mix various shades of pink and red for the figures' clothing and skin tones. Use ultramarine blue and burnt umber to create the dark blue of Mary's robe. Mix yellow ochre and white for the angel's wings.

techniques

  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overblending and losing form
  • →Inaccurate proportions of figures
  • →Ignoring subtle color variations in skin tones
  • →Failing to create a sense of depth in the background

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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oil painting for beginners →how to learn by studying the masters →
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