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home·artworks·THE VILLAGE UNDER THE MOUNTAINS
THE VILLAGE UNDER THE MOUNTAINS by JAROSLAV KELUC

plate no. 4972

THE VILLAGE UNDER THE MOUNTAINS

JAROSLAV KELUC, 1976

oilImpressionismlandscapelandscapevillagemountainsfieldstreesbuildings
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture light and atmosphere. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with a thin layer of blue, allowing for variations in tone.

  3. step 03

    Establish the main color masses for the mountains, fields, and trees, using simplified color mixtures.

  4. step 04

    Begin adding details to the buildings and trees, using short, broken brushstrokes.

  5. step 05

    Develop the texture of the fields with varied strokes and color variations, suggesting the movement of the grass.

  6. step 06

    Add highlights and shadows to create depth and dimension, paying attention to the direction of light.

  7. step 07

    Refine the details and adjust the colors as needed, ensuring harmony and balance.

  8. step 08

    Add final details like small flowers in the foreground.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · cadmium yellow

secondary · viridian green · alizarin crimson · titanium white

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use white to lighten colors and create atmospheric perspective in the mountains. Mix browns and earth tones with burnt sienna, yellow ochre and ultramarine blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·wet-on-wet blending
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the importance of value contrast.
  • →Creating muddy colors by over-mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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