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home·artworks·The Village of Chartres, Eure-et-loir, France
The Village of Chartres, Eure-et-loir, France by Martín Rico y Ortega

plate no. 2270

The Village of Chartres, Eure-et-loir, France

Martín Rico y Ortega

oilImpressionismcityscapecityscapearchitecturetreesfiguresbuildingssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle variations in light and shadow across a complex scene. It also provides practice in rendering textures of stone, foliage, and sky with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the main shapes and perspective lines of the buildings, trees, and road.

  2. step 02

    Block in the sky with a thin wash of light blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the basic shapes of the buildings and trees with mid-tone colors, focusing on the overall value structure.

  4. step 04

    Develop the details of the architecture, paying attention to the textures of the stone and the placement of windows and doors.

  5. step 05

    Add the foliage of the trees, using a variety of greens and browns to create depth and texture.

  6. step 06

    Paint the road and foreground, using warm earth tones and broken brushstrokes to suggest the texture of the ground.

  7. step 07

    Add the figures and carts, paying attention to their placement and scale within the scene.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · sap green

Mix various shades of brown and gray by combining umber, sienna, and blue. Use white to lighten values and create highlights. Achieve greens by mixing blue and yellow.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·dry brushing

common pitfalls

  • →Overworking details too early
  • →Ignoring atmospheric perspective
  • →Using too much detail in the background
  • →Creating muddy colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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