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home·artworks·The Vigil
The Vigil by John Pettie

plate no. 3446

The Vigil

John Pettie, 1884

oilRomanticismgenre paintingfigureinteriorarmorswordaltarcolumns
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in complex lighting and creating a sense of depth through atmospheric perspective. Students will also learn to depict textures of different materials like fabric, metal, and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows.

  4. step 04

    Develop the figure, paying close attention to anatomy and drapery.

  5. step 05

    Render the armor and other details, focusing on texture and reflections.

  6. step 06

    Refine the background and create atmospheric perspective by softening edges and reducing contrast in the distance.

  7. step 07

    Add final details and highlights to create a sense of realism.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · yellow ochre · raw sienna · ultramarine blue

Achieve the muted tones by mixing complementary colors and using a limited palette. Use white to lighten values and black to darken them. Mix burnt umber and ultramarine for dark shadows.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, burnt umber, cadmium red, yellow ochre, raw sienna, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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