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home·artworks·The view from the Balcony
The view from the Balcony by Franz Richard Unterberger

plate no. 9194

The view from the Balcony

Franz Richard Unterberger

oil, canvasRomanticismcityscapecityscapeseafiguresarchitecturetreesbalcony
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with subtle color variations. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes: the coastline, buildings, and trees.

  2. step 02

    Establish the sky and sea with broad, blended strokes, creating a soft, atmospheric gradient.

  3. step 03

    Block in the main architectural forms with simplified shapes and values, focusing on the overall structure.

  4. step 04

    Add details to the buildings, such as windows, arches, and decorative elements, using smaller brushes.

  5. step 05

    Paint the figures on the balcony, paying attention to their proportions and gestures.

  6. step 06

    Develop the foreground foliage and trees, using varied brushstrokes to create texture and depth.

  7. step 07

    Refine the overall composition by adjusting values and adding highlights to create a sense of light and shadow.

  8. step 08

    Add final details and glazes to unify the painting and enhance the atmospheric effects.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · cadmium red · raw umber · sap green

Achieve the atmospheric haze by mixing white with small amounts of blue, yellow ochre, and red. Create the warm tones of the buildings by blending burnt sienna, yellow ochre, and a touch of red.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·glazing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle value shifts that create depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, yellow ochre, burnt sienna, ultramarine blue, cadmium red, raw umber, sap green)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-grit canvas for better paint adhesion. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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