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home·artworks·The Victoria Embankment, London
The Victoria Embankment, London by Giuseppe de Nittis

plate no. 9029

The Victoria Embankment, London

Giuseppe de Nittis, 1875

oil, panelImpressionismcityscapecityscapestreetbuildingscarriagesfigurestrees
some experience helpful

Recreating this painting will help students practice atmospheric perspective and learn to simplify complex scenes into basic shapes and values. It also provides an opportunity to work with a limited color palette to create a sense of unity and mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the buildings, street, and figures.

  2. step 02

    Block in the sky with a thin wash of light gray, gradually darkening towards the horizon.

  3. step 03

    Establish the values of the buildings and street, using darker tones for areas in shadow.

  4. step 04

    Add the carriages and figures, simplifying their forms and focusing on their overall shapes.

  5. step 05

    Paint the trees and lampposts, using thin, broken lines to suggest their delicate branches.

  6. step 06

    Refine the details of the figures and carriages, adding subtle highlights and shadows.

  7. step 07

    Add final touches to the street and buildings, adjusting the values and colors as needed.

  8. step 08

    Glaze with a thin layer of color to unify the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · yellow ochre

Mix raw umber and white for the sky and buildings. Use burnt sienna and raw umber for the carriages and figures. Add a touch of ultramarine blue to darken the shadows.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·broken color

common pitfalls

  • →Overworking the details
  • →Using too many colors
  • →Ignoring the atmospheric perspective
  • →Making the figures too defined

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a toned canvas to create a warm underpainting. Consider using a medium to thin the oil paints and speed up drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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