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home·artworks·The Valley of the Mills near Amalfi
The Valley of the Mills near Amalfi by Carl Blechen

plate no. 4407

The Valley of the Mills near Amalfi

Carl Blechen

oilRomanticismlandscapemountainsbuildingstreeswaterfiguresrocks
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures like foliage and stonework. It also provides practice in creating depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, mountains, and water features.

  2. step 02

    Establish the sky and distant mountains using thin washes of blue and gray, creating atmospheric perspective.

  3. step 03

    Block in the large shapes of the buildings and rocks with mid-tone colors, paying attention to their forms and shadows.

  4. step 04

    Add the darker values to define the shadows and crevices in the rocks and buildings.

  5. step 05

    Begin layering in the foliage, using a variety of greens and browns to create depth and texture.

  6. step 06

    Refine the details of the figures, paying attention to their proportions and clothing.

  7. step 07

    Add highlights to the water, rocks, and foliage to create a sense of light and atmosphere.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious and balanced composition.

color palette

primary · ultramarine blue · raw umber · yellow ochre · titanium white

secondary · burnt sienna · viridian green · cadmium yellow light

Mix various shades of green by combining yellow ochre, ultramarine blue, and viridian green. Create muted tones by adding raw umber or burnt sienna to your colors.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the background, losing the sense of atmospheric perspective.
  • →Using too much pure color, resulting in a flat and unrealistic appearance.
  • →Neglecting the importance of value contrast, making the painting appear muddy and indistinct.
  • →Failing to establish a clear focal point, confusing the viewer's eye.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to establish a base color and simplify the painting process.

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oil painting for beginners →how to learn by studying the masters →
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