apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The valley of Los Naranjos
The valley of Los Naranjos by Santiago Rusinol

plate no. 8364

The valley of Los Naranjos

Santiago Rusinol

oilImpressionismlandscapemountainsvillagetreeslandscapeskyfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using broken color techniques to represent foliage. It also provides practice in creating atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, village, and foreground elements.

  2. step 02

    Establish the sky with light blues and grays, blending softly.

  3. step 03

    Block in the mountain range with muted browns, oranges, and grays, paying attention to the light and shadow.

  4. step 04

    Paint the village using warm yellows, oranges, and whites, suggesting the forms of the buildings.

  5. step 05

    Begin layering the foliage with various greens, yellows, oranges, and browns, using short, broken brushstrokes.

  6. step 06

    Add details to the trees, suggesting leaves and branches with small dabs of paint.

  7. step 07

    Develop the foreground with a mix of warm and cool colors, creating a sense of depth.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric landscape.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · sap green · cadmium orange · raw umber

Mix greens by combining ultramarine blue and yellow ochre. Create muted tones by adding a touch of burnt sienna to your greens and yellows. Achieve atmospheric perspective by lightening and graying colors as they recede into the distance.

techniques

  • ·broken color
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details
  • →Using colors that are too saturated
  • →Neglecting the atmospheric perspective
  • →Failing to establish a clear value structure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to create a harmonious color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann