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home·artworks·The Unwelcome Companion (A Street Scene in Cairo)
The Unwelcome Companion (A Street Scene in Cairo) by John William Waterhouse

plate no. 6537

The Unwelcome Companion (A Street Scene in Cairo)

John William Waterhouse, 1872

oil, canvasRomanticismgenre paintingfigurewomanarchitecturefoliagejewelryclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating depth through atmospheric perspective and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and the architectural elements.

  2. step 02

    Establish the background tones, paying attention to the subtle gradations of light and shadow.

  3. step 03

    Block in the main colors of the figure's clothing and skin tones.

  4. step 04

    Refine the figure's features, focusing on accurate proportions and subtle details.

  5. step 05

    Add details to the clothing, including folds, textures, and embellishments.

  6. step 06

    Paint the foliage, using a variety of greens and browns to create depth and texture.

  7. step 07

    Add the jewelry and other accessories, paying attention to their reflective qualities.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the focal point is clear and the colors are harmonious.

color palette

primary · red ochre · burnt umber · titanium white · yellow ochre

secondary · viridian · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red ochre. Create the red fabric by blending red ochre with burnt umber and a touch of black for shadows. Mix greens from viridian and yellow ochre.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the figure's proportions.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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