apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Untersberg near Salzburg
The Untersberg near Salzburg by Heinrich Bürkel

plate no. 3572

The Untersberg near Salzburg

Heinrich Bürkel

oilRomanticismlandscapemountainsskyfieldtreesfiguresclouds
some experience helpful

Recreating this painting will help students practice atmospheric perspective and layering techniques to create depth. It also provides practice in mixing subtle color variations to depict natural forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountain, field, and sky, paying attention to the overall composition.

  2. step 02

    Establish the sky with thin washes of blue and white, blending to create soft clouds.

  3. step 03

    Block in the mountain using a range of grays and greens, focusing on the light and shadow areas.

  4. step 04

    Layer darker tones in the mountain's shadows to create depth and dimension.

  5. step 05

    Paint the field with a base layer of yellow-green, adding variations in tone and color to suggest texture.

  6. step 06

    Add details to the trees and figures in the foreground, using smaller brushes.

  7. step 07

    Refine the details of the mountain, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final touches to the sky and field, blending and adjusting colors as needed.

color palette

primary · Prussian blue · Yellow ochre · Titanium white · Burnt umber

secondary · Sap green · Cadmium yellow

Mix grays by combining burnt umber and Prussian blue with white. Use yellow ochre and Prussian blue for muted greens. Add small amounts of cadmium yellow to brighten the field.

techniques

  • ·Layering
  • ·Blending
  • ·Dry brushing
  • ·Atmospheric perspective
  • ·Value studies

common pitfalls

  • →Overworking the details in the mountain, resulting in a flat appearance.
  • →Using too much pure color without mixing, leading to a lack of harmony.
  • →Neglecting the importance of atmospheric perspective, causing the background to appear too sharp.
  • →Ignoring the subtle value changes in the field, resulting in a monotonous foreground.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (Prussian blue, Yellow ochre, Titanium white, Burnt umber, Sap green, Cadmium yellow)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Medium gloss
  • ·Easel

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke