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home·artworks·The Two Mothers
The Two Mothers by Dante Gabriel Rossetti

plate no. 8187

The Two Mothers

Dante Gabriel Rossetti, 1851

oil, canvasRomanticismgenre paintingfiguresclothingbookflowersstatuecandle
experienced study

Recreating this painting will help students develop skills in portraiture, specifically rendering skin tones and drapery, as well as understanding how to create a sense of depth and atmosphere through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and key objects.

  2. step 02

    Establish the dark background tones using a thin wash of dark brown or black.

  3. step 03

    Block in the main shapes and colors of the figures, starting with the skin tones and clothing.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Develop the details of the clothing, book, and other objects, using smaller brushes and more precise brushstrokes.

  6. step 06

    Add highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition and enhance the atmosphere.

  8. step 08

    Add final details and adjustments as needed.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the skin tones by mixing white, burnt sienna, and a touch of yellow or red. Use thin washes of umber and black to create the dark background and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the skin tones to look muddy or unnatural.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the dark background tones.

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