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home·artworks·The Turn in the Road at Auvers
The Turn in the Road at Auvers by Paul Cezanne

plate no. 6595

The Turn in the Road at Auvers

Paul Cezanne, 1873

oil, canvasImpressionismcityscapebuildingslandscapetreesroadskyhouses
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to simplify complex scenes into basic shapes and forms. It also provides practice in capturing the impressionistic style through visible brushstrokes and broken color.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the houses, road, and trees, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with a thin layer of light blue and white, blending softly.

  3. step 03

    Establish the main color masses of the houses using a mix of ochre, white, and touches of red and brown.

  4. step 04

    Paint the road with a base of yellow ochre, then add variations of green, blue, and brown to create texture and depth.

  5. step 05

    Add the trees, using dark browns and greens, and suggest the foliage with short, broken brushstrokes.

  6. step 06

    Refine the details of the houses, adding shadows and highlights to define their forms.

  7. step 07

    Adjust the colors and values throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to capture the impressionistic feel.

color palette

primary · yellow ochre · ultramarine blue · titanium white · burnt sienna

secondary · cadmium red · viridian green · raw umber

Mix various shades of ochre with white and small amounts of blue or brown for the buildings and road. Achieve the sky by mixing white with a touch of blue and yellow.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing them.
  • →Creating muddy colors by over-blending.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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