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home·artworks·The Trapper
The Trapper by William Holbrook Beard

plate no. 6208

The Trapper

William Holbrook Beard, 1857

oilRomanticismgenre paintingfigurelandscapetreesrocksfoliagesky
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in a landscape setting and understanding atmospheric perspective. Students will also learn how to mix realistic skin tones and create depth using value and color.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, rocks, and trees.

  2. step 02

    Establish the dark background sky with broad strokes of dark blue and gray.

  3. step 03

    Block in the main shapes of the figure, rocks, and foliage with basic colors.

  4. step 04

    Develop the figure's form and details, paying attention to light and shadow.

  5. step 05

    Add details to the rocks and foliage, creating texture and depth.

  6. step 06

    Refine the background trees and sky, using atmospheric perspective to create distance.

  7. step 07

    Add final highlights and details to the figure and foreground elements.

  8. step 08

    Glaze areas to unify the painting and adjust color values.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw sienna

Mix various shades of brown and green by combining burnt umber, yellow ochre, ultramarine blue, and white. Achieve skin tones by mixing yellow ochre, cadmium red, burnt umber, and white.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking details too early
  • →Failing to establish a strong value structure
  • →Ignoring atmospheric perspective
  • →Using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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