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The Trapper by Sydney Laurence

plate no. 7520

The Trapper

Sydney Laurence, 1914

oilRomanticismgenre paintingsnowtreesfigurewinterlandscapewildlife
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to depict the effects of light and shadow on snow. It also provides practice in rendering figures in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the trees, and the snowdrifts.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes.

  3. step 03

    Start with the sky, blending blues and violets to create a soft, atmospheric effect.

  4. step 04

    Paint the distant trees with muted colors and soft edges to create depth.

  5. step 05

    Focus on the figure, paying attention to the highlights and shadows on the clothing and face.

  6. step 06

    Add details to the snow, using short, broken brushstrokes to create texture and variation.

  7. step 07

    Paint the foreground elements, such as the branches and the animal, with sharper details.

  8. step 08

    Refine the overall composition by adjusting values and adding highlights where needed.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · alizarin crimson

Mix blues and whites for the sky and snow shadows. Use burnt umber and yellow ochre for the figure's clothing and tree trunks. Add alizarin crimson to burnt umber for warmer shadows.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the snow, resulting in a flat, lifeless surface.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle color variations in the snow.
  • →Getting the figure's proportions wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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