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home·artworks·The Tower of the Ladies in the Alhambra in Granada
The Tower of the Ladies in the Alhambra in Granada by Martín Rico y Ortega

plate no. 1858

The Tower of the Ladies in the Alhambra in Granada

Martín Rico y Ortega, 1871

oilImpressionismcityscapebuildingtreesskyfigureslandscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in rendering textures of old buildings and foliage, as well as understanding atmospheric perspective and color mixing for natural light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the building, trees, and figures.

  2. step 02

    Block in the sky with a base layer of blue, gradually adding lighter tones towards the horizon.

  3. step 03

    Establish the main colors of the building, using a mix of earth tones and creams, and vary the tones to suggest light and shadow.

  4. step 04

    Paint the trees, starting with the trunks and branches, then adding the foliage using broken brushstrokes.

  5. step 05

    Develop the foreground, adding details to the grass, flowers, and figures.

  6. step 06

    Refine the details of the building, including windows, tiles, and architectural elements.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious painting.

color palette

primary · ultramarine blue · burnt sienna · titanium white · yellow ochre

secondary · sap green · raw umber · cadmium red light

Mix various shades of brown and beige for the building using burnt sienna, yellow ochre and white. Create greens by mixing blue and yellow, and adjust with burnt sienna for muted tones.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details of the building
  • →Creating too much contrast in the shadows
  • →Not establishing a clear light source
  • →Using too much green without muting it

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to help create the broken color effect. Consider using a limited palette to achieve color harmony.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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